TODAY -

The Real Subject of Priyakanta Laishram's I AM SPECIAL Is Society

Daniel Sagolsem *

 Priyakanta Laishram's I AM SPECIAL
Priyakanta Laishram's I AM SPECIAL



Disability documentaries often begin with a straightforward objective: to help audiences understand the experiences of disabled people. Priyakanta Laishram's I AM SPECIAL (2017) certainly does that, but its most revealing observations lie elsewhere.

The film is less concerned with disability itself than with the ways society reacts to it. Again and again, it turns the camera away from medical conditions and toward the behaviours, assumptions, and responses that surround them.

Written, edited, and directed by Priyakanta Laishram, and produced by Harendra Laishram under the banner of Priyakanta Productions, the 47-minute English-language docufiction brings together documentary footage and fictional narratives involving individuals living with different disabilities. What connects these stories is not a shared diagnosis or a common struggle, but a recurring examination of how people respond when confronted with difference.

This perspective emerges most powerfully in the film's opening segment centred on the filmmaker's mother, Jibanlata Laishram, who lived with Amyotrophic Lateral Sclerosis (ALS). While the progression of the disease forms the backdrop of these scenes, the emotional force of the material comes from something less visible.

As her condition worsens, the audience gradually becomes aware of a shrinking social world. Friends and acquaintances who were once present begin to disappear. Relationships become quieter. Visits become fewer.

The film never dramatises this process through confrontation or accusation. Instead, it presents abandonment as an uncomfortable social reality that often accompanies long-term illness. People withdraw not necessarily out of cruelty, but because they do not know how to remain present in situations that cannot be easily resolved.

The result is one of the film's most perceptive observations: disability often reveals the limits of other people's comfort rather than the limits of the individual experiencing it.

The personal nature of the project makes its achievements particularly noteworthy. Laishram was only eighteen when he wrote, directed, and edited I AM SPECIAL, drawing inspiration from the experience of witnessing his mother's battle with ALS. Rather than processing that loss privately, he transformed it into a work that attempts to engage with broader questions surrounding disability and social attitudes.

Equally significant is the inclusion of Girish Asotra, whom Laishram befriended while studying in Chandigarh during his senior secondary years. By incorporating Girish's story alongside his own family's experiences, the filmmaker expands the documentary beyond autobiography, connecting personal grief with a wider exploration of disability across different lives and circumstances.

This attention to social behaviour continues throughout the documentary.

 Priyakanta Laishram's I AM SPECIAL
Priyakanta Laishram's I AM SPECIAL



The story of Girish Asotra, a young boy living with Duchenne Muscular Dystrophy, is particularly effective because it quietly exposes the expectations people attach to disability. His aspiration to join the Indian Administrative Service is presented without fanfare, yet it immediately raises a larger question.

Why should such an ambition seem surprising in the first place? The film does not provide an answer. Instead, it allows the audience to confront the assumptions that make certain futures appear more imaginable than others.

The fictional segments operate in a similar manner. A deaf and mute dancer, an autistic archer, a visually impaired singer, and a woman living with bipolar disorder are not presented as lessons or symbols. Rather than focusing exclusively on their conditions, the film places them within everyday situations where they must navigate the expectations, misconceptions, and reactions of those around them.

What distinguishes I AM SPECIAL is its refusal to construct simple moral divisions. The people who underestimate, misunderstand, or distance themselves from others are not depicted as villains. The film recognises that exclusion is often produced through ordinary actions rather than overt hostility.

A lowered expectation, an awkward silence, a patronising assumption, or an absence at a critical moment can be just as consequential as explicit discrimination.

This approach gives the documentary a degree of maturity that many issue-based films lack. Rather than searching for obvious antagonists, it examines the subtle ways society participates in exclusion while continuing to view itself as compassionate and inclusive. The result is a film that encourages self-examination rather than self-congratulation.

At the same time, the film's broad scope occasionally limits its ability to fully explore every story it introduces. The opening ALS segment benefits from a level of intimacy and sustained observation that naturally develops emotional complexity.

As the documentary expands to incorporate additional voices and experiences, some narratives are necessarily afforded less room to breathe. Several subjects leave a strong impression, but viewers may find themselves wishing for a deeper engagement with their lives and relationships.

This is ultimately a consequence of the film's ambition. Within a relatively concise runtime, I AM SPECIAL attempts to engage with multiple disabilities, personal histories, and social realities. While not every thread receives the same depth of exploration, the film's willingness to embrace that complexity remains one of its strengths.

The film also concludes on a thoughtful musical note with the end-credit song This Is Who I Am. Soulful without becoming overly sentimental, the song acts as a fitting companion to the documentary's central concerns.

Its lyrics speak of rejecting identities imposed by others and embracing self-definition, reinforcing many of the questions the film raises about perception, expectation, and individuality. Arriving after a series of stories shaped by misunderstanding and assumption, the song feels less like an attempt to inspire and more like a quiet affirmation of personal dignity.

What lingers after the film ends is not a particular statistic, diagnosis, or message. It is the recognition that disability is never experienced in isolation. Every story in I AM SPECIAL is shaped by families, friends, strangers, institutions, and communities. The film understands that the challenges disabled individuals face are often inseparable from the attitudes of the society around them.

Many documentaries ask audiences to learn about disability. I AM SPECIAL asks audiences to consider how they themselves respond to it. That shift in focus is what makes the film distinctive, and what continues to make it relevant years after its release.


* Daniel Sagolsem wrote this article for e-pao.net
The writer can be contacted at danielsagolsemwrites(AT)gmail(DOT)com
This article was webcasted on June 16 2026 .



* Comments posted by users in this discussion thread and other parts of this site are opinions of the individuals posting them (whose user ID is displayed alongside) and not the views of e-pao.net. We strongly recommend that users exercise responsibility, sensitivity and caution over language while writing your opinions which will be seen and read by other users. Please read a complete Guideline on using comments on this website.




LATEST IN E-PAO.NET
  • Meira Rally 'No NRC, No Census' : Gallery
  • Violence in Manipur 2023-2026 : Timeline
  • Day Dreaming of a Vision for a True Change
  • ChipCraft: RTL, IP Integration Course
  • Before the Census, Count the Future :: Poem
  • Khelo India Samvaad in Senapati
  • Induction Programme for Group-A & B Officers
  • Chumoukedima Councillors joined NPF
  • Questions people should raise
  • FC Reangdai Vs TRAU : Durand Cup : Gallery
  • Fast-Growing Tree Species: Link in Farming
  • Manipuri Sahitya Parishad Awards 2026
  • MTU Disaster Risk Reduction Club
  • Meeting with IDPs
  • Imphal-Guwahati Route continue on 3rd Day
  • Ambedkar Medical Aid Scheme Extended
  • 48-hour General Strike by JFD #2 : Gallery
  • Ghosts of Khadawmi: Numbers, Nationhood
  • Why Healthcare must be governed differently
  • Tree Plantation, "Loushangkhong Ningol Van"
  • Shobha Shukla "Justice unbound" : Book Rvw
  • Makeup meltdown during Monsoon
  • Science for Viksit Bharat at IBSD
  • Unresolved questions continue to hang
  • Exploring The Vanishing Self #7
  • Gen Z Rising: Pandora's Box Is Open ?
  • Northeast India Space Workshop 2026
  • Wanglembam Gobin: National Teachers Award
  • Broken heart :: Poem
  • Khemchand's bus & laity
  • Mumbai-Ghy as "Bhupen Hazarika Express"
  • Manipur Expeditionary Force, World War I
  • Waqf Amendment Act: An Analysis
  • 80th Independence Day @ Senapati : Gallery
  • Lanchenba : National record at 52nd Aquatics
  • The petition in Parliamentary democracy
  • Support for Children with Special Needs
  • Cracking down on protesters
  • 135th Patriots' Day @ Thangal Tomb : Gallery
  • India-Myanmar territorial exchange
  • The quiet alienation of living in Manipur
  • Babina wins AHPI Leadership Awards 2026
  • Brazil's favelas are reimagining HIV prevention
  • Foreign funds & responsible civil society
  • Dipholu release postponed
  • Taking the NRC demand to Delhi
  • 48-hour General Strike by JFD #1 : Gallery
  • Most neglected root causes of Manipur crisis
  • If the State moves on Agarwood now
  • The genesis of wars and conflicts :: Poem
  • Support to "No NRC, No Census"
  • The gem of transparent public procurement
  • Understanding the angst of the people
  • 35th Manipuri Language Day, 20 August
  • 'Beating of the Retreat' #2 : Gallery
  • Citizens of Manipur can reverse the downslide
  • Condolence Message : Niketu Iralu
  • Delhi Fashion Week 2026 launched
  • Community-based model transforming HIV
  • Eco-Sustainable 'Pine Home' Project
  • Assembly resolution of 2022: Update NRC
  • 77th Indian Republic Day #5 : Gallery
  • Engagement: SCGJWD Logistics & Transworld
  • 'Toy Gun' Featured in at BISFF 2026
  • India shrinking relationship with neighbours
  • A generation that undervalue experiences
  • Visit to displaced Naga families at Makhan
  • 8th Foundation Day of World Meetei Council
  • Rising call for NRC first, census later
  • 80th Independence Day @ 1st MR : Gallery
  • Wungphayo, Jianlungpou : Eming
  • Durand Cup : Touching the hearts
  • 2nd "Fields of Hope" at Bengaluru
  • The torchbearers of Independent Bharat
  • Working Women : Flight, hope & challenges
  • Time to focus on the hills
  • Abok Ki Singju: A Student Film
  • 80th Independence Day at 1st MR Ground
  • 80th Independence Day at Senapati
  • Peace begins with us :: Poem
  • Delhi Fashion Week 2026 Auditions
  • Reliance Foundation's Scholarships open
  • Remembering the martyrs of 1891
  • NEROCA Vs TRAU: Durand Cup #2 : Gallery
  • Manipur: The best place on earth If we change
  • Why Manipur Needs Special Economic Zone
  • 7-Week Free Cancer Screening
  • Safe Release of 3 Thadou Individuals
  • Cambodia's HIV success
  • Normalcy still a far cry away
  • 135th Patriots' Day @ Hicham : Gallery
  • In Search of Peace in Manipur
  • Manipur: NRC before it will accept Census
  • India-Myanmar border dispute & land swap
  • 135th Patriots' Day at Arunachal
  • What is ABHA ?
  • How to eliminate the smell from home
  • Call to surrender all illegal arms
  • A Brief History of DM College
  • 2026 MaolKeki Memorial Scholarships
  • MU's intervention in Manipur's crisis
  • Hiroshima and Nagasaki revisited
  • Harshit Dhingaun: "Best Bollywood Host"
  • Organ Donation : The gift of life
  • LGBI Airport Advances Water Sustainability
  • Power supply : The rising need
  • Ibudhou Thangjing Haraoba #2 : Gallery
  • MKF Robert Memorial Internship Award
  • Indigenous Peoples Day @Chingmeirong
  • A bodybuilding saga from Ukhrul
  • World Elephant Day 2026
  • Endorsed Rio's letter to Home Minister
  • YAS Employee Association suspends Strike
  • Call to enlist Meiteis in ST category
  • Raengdai Vs TRAU - Durand Cup : Gallery
  • Youth Advocacy, Civil Society, & Peacebuilding
  • Panthung (The Last Spring Of Love)
  • The Price of Your Vote :: Poem
  • Manipuri custom into a green movement
  • 'Govt Must Pursue Census Deferment'
  • Flawed convention on violence against women
  • Lying in state since June 10
  • Wakol Laoba : A Philosophical Analysis
  • Moirang Phi: Living fabric of Manipuri Culture
  • 15 Reels- Preservation Digitisation in Italy
  • The Clotted Cream of Desire :: Poem
  • 5th Tree Plantation at Porompat
  • Resilience of Hope :: Poem
  • Handloom: Weaving the future of Viksit Bharat
  • Reaching out to Kangpokpi
  • Exploring The Vanishing Self #5
  • Lifetime Achievement Award for 4 Scientists
  • 13th CM Kang Tournament : Gallery
  • N Tomchou : Gold @ Asian Weightlifting
  • Shards of Home :: Poem
  • Entrepreneurship Development Program
  • Mohan Bhagwat & Gen Z
  • 77th Indian Republic Day #4 : Gallery
  • The chappals we leave behind
  • Takhellambam Rani: National Handloom Award
  • Col M Ranjit's book: Long journey west
  • FNTA (Frontier Nagaland) deal defies logic
  • 54 months to end AIDS and TB
  • Rs 1 crore flood relief drive in Assam
  • Issues and issues before Imphal
  • Mandengbam Jadumani @ Airport : Gallery
  • A consortium of scientific organizations
  • Extortion the Tyrant, Inflation the Demon
  • Hope :: Poem
  • 16th Foundation Day: Meghalaya Film Maker
  • Monsoon foot care
  • Growing call to weed out illegals
  • Naophangpa & the Boy Who Saved Kangla
  • Tingkuradin : Sacred text of Tingkao Ragwang
  • Nurturing Green Minds Youth & Eco Clubs
  • A tribute to Ruskin Bond
  • Ambedkar in Parliamentary ICU :: Poem
  • Cut to community-led service could spark HIV
  • Flood Relief initiative of Rs 21 Lakh
  • The service in healthcare : The human touch
  • Raengdai Vs Navy Durand Cup : Gallery
  • Policy Shift from Jhum to Sustainable Farming
  • Where the Earth Learns to Be Still :: Poem
  • MAGIZH : A homecoming, a legacy
  • Non-notified load shedding or technical issues
  • Japan can teach India on educational reform
  • Rs 21 crores for Assam flood relief
  • Guns going silent since 1997
  • Colonial Knowledge Production in NE India #24
  • Mitigating flood risks in Manipur
  • Young Talent Artistes Award 2026-27
  • Entrepreneurship Development Programme
  • Environment Day needs to stop playing safe
  • House in the Moonlight :: Poem
  • Building trust between communities
  • Naga Peace Process: Indo-Naga Talk: Timeline
  • Search 25 years of e-pao.net
  • Rain In July :: Poem
  • Remembering the Forgotten Army
  • YengjaKhige : Story on friendship released
  • Rani Gaidinliu Girls' Hostel in Pune
  • Expansion after election
  • Capacity Building Programme for Legal Aid
  • July 4 : Reaching out to CCpur
  • Exploring The Vanishing Self #4
  • NEROCA Vs TRAU: Durand Cup #1 : Gallery
  • China's Conflict Mediation in Myanmar
  • From Affection To Compassion :: Poem
  • Nature's parenting awards
  • Rs 11 Crore for Assam Flood Relief
  • CBSE Cluster-I Badminton Championship
  • Candle Light Vigil @Kangla : Gallery
  • Zomi Leaders meet CM @Imphal : Gallery
  • Honoring 3 Global Achievers from Manipur
  • Apou Koklou : Peipou, owner of Gods' Court
  • The attendance crisis in higher education
  • How does Govt view village volunteers ?
  • Initiating move to talk with the UNC
  • NE Book Fair Imphal @Lamphel #1 : Gallery
  • M Ranjit's book: The Long Journey West
  • Leinana Yomlibi - A Dynamic Musical Offering
  • Thailand's community-led HIV revolution
  • Mirabai Chanu won a gold medal
  • August Calendar for Year 2026 : Tools
  • North East India Fest @ London : Gallery
  • The Legacy & Power of the Meitei Nupi
  • Barun - 1st All-Women Vyas Ojapali Troupe
  • The Sino-Indian boundary question
  • A story of love, laughter, & society
  • Extortion & mud: Defining aspects of NH-37
  • Kang Khichri Chaba #1 : Gallery
  • Products of Artisans from Relief Camps
  • Colonial Knowledge Production in NE India #23
  • 135th Durand Cup: Manipur's football empire
  • 17th Anniv of Rabina & Sanjit: Gallery
  • Sinakeithei: Firearms for Kuki narco-terrorist
  • Protest - NEET 2026 leak : Gallery
  • Exploring The Vanishing Self #3
  • Kang Chingba @Kakwa, Singjamei : Gallery
  • That FB/X Post didnt come from Politician
  • Posts @ Life Sciences, Manipur Univ
  • Flag off: 135th Durand Cup @Sendra : Gallery
  • A rainy day @ Ima Keithel : Gallery
  • Ahingee Laan @ JNMDA #3 : Gallery
  • Early History of Manipuri Sahitya Parishad #3
  • The Forgotten Kings : A Hearthside Story
  • A gory slaughter :: Poem
  • Kang Chingba @Thangal Keithel : Gallery
  • Kang Chingba @Govindajee Temple : Gallery
  • 2004 Kangla Protest: Anti-Repression Day
  • 63rd Mr Manipur @ MU #5 : Gallery
  • Seasonal Fishes @Ima Keithel #3: Gallery
  • Early History of Manipuri Sahitya Parishad #2
  • Solo Dance: Wahengbam Debina #2: Gallery
  • Yumjao Lairembi Haraoba #2 : Gallery
  • 63rd Mr Manipur @ MU #4 : Gallery
  • Boy Who Dredged the Rivers: Taothingmang
  • Day 3 : Yaoshang Sports : Gallery
  • Sillam Sintha Jagoi @ATINGA : Gallery
  • Featured Front Page Photo 2026 #3: Gallery
  • 360° panoramic view of spots in Manipur
  • ANSAM Rally demanding justice : Gallery
  • 25th The Great June Uprising #2 : Gallery
  • Candle Light Vigil @ New Checkon : Gallery
  • Massacres perpetrated by Kukis during British
  • Remains of 6 Naga hostages @JNIMS: Gallery
  • Showcasing Manipur @Switzerland : Gallery
  • Chakan Gang-Ngai 2026 : Ooba Video
  • How to Break Manipur w/o Breaking Any Laws
  • HSLC Exam 2026 : Full Result
  • HSLC Exam 2026 : Pass % : Govt Schools
  • HSLC Exam 2026 : Pass % : Aided Schools
  • HSLC Exam 2026 : Pass % : Private Schools
  • HSLC Exam 2026 : Withheld-students
  • HSLC Exam 2026 : Compartmental candidates
  • HSLC Exam 2026 : Statistical Abstract
  • HSLC Exam 2026 : Important Information
  • Tronglaobi: 2 children laid to rest : Gallery
  • Final Merit List : Manipur Civil Services 2022
  • Killing of 2 children @ Tronglaobi : Gallery
  • PUCL Tribunal report: A shadow of partiality #3
  • PUCL Tribunal report: A shadow of partiality #2
  • PUCL Tribunal report: A shadow of partiality #1