TODAY -

Gaan-Ngai

Prof Gangmumei Kamei *

Gaan-Ngai - A ritual festival of Zeliangrongs at Maibam Kabui Khul, Nambol   ::  January 22 2016
Gaan-Ngai at Maibam Kabui Khul, Nambol on January 22 2016 :: Pix - Shankar Khangembam



Gaan-Ngai is the greatest festival of the Zeliangrong people who inhabit in the State of Manipur, Assam and Nagaland. ‘Zeliangrong’ is the combined name of three cognate kin group namely Zeme, Liangmai and Rongmei. Puimei, another cognate group performs the same festivals of the Zeliangrong.

Gaan-Ngai is called Hegangi among the Zeme, Gin-Ngi among the Liangmai and Gaan-Ngai among the Rongmei and Puimei. The name, Gaan-Ngai literally means the festival of winter season (Gaan or Ganh means winter or dry season and Ngai means festival). It is derived from the name of winter season like Chakan Ganh, Gan-bu or Enganh.

All the festivals of the Zeliangrong people like other tribes throughout the world are based on the different stages of agricultural operations; pre-operation and post harvest. The Gaan-Ngai is a post harvest festival. When the granaries are full, the landscape is dry, the whole village is free from all agricultural works, people turn to celebration, festivity and worship of the God and honouring of the dead.

This festival is also described as a new year festival as it marks the end of the year and beginning of the new year. It is a festival heralding the new year. Every tribal new year festival is marked by the production of new fire either by friction of wood and bamboos or friction of the flint. The Gaan-Ngai performs the production of fire, Mairapmei. It is rightly described as a new year festival.

The Gaan-Ngai is a festival during which those who died in the previous year are given ritual farewell or departure; their graves are beautified, dances are performed in their honour, feast is given to the community in the honour of the dead. Gaan-Ngai is thus the festival of both the death and living.

The Gaan-Ngai was usually performed between the month of October and December depending on the state of the progress of agricultural operation. However, the Kabui Naga Association, the progenitor of the present Zeliangrong Union decided in 1947 that Gaan-Ngai be performed on the 13th day of the Meitei month of Wakching as per the Meitei Calendar (Chandrabda) of the lunar year. Since then, due to efforts of the community leaders, it has been performed on 13th Wakching onwards.

Gaan-Shanmei (heralding of the Gaan-Ngai):

The duration of the festival varies from place to place. But in the beginning of the month in which the Gaan-Ngai is to perform, the village elders will announce the coming of the festival by blowing the horn of the buffalo or the mithun informing the community to make the necessary arrangement for the festival. This is called Gaan-Shanmei (Heralding of the winter season or the Gaan-Ngai festival).

Ngai-Gangmei (starting of the festival):

Gaan-ngai is essentially based on the religious belief of the Zeliangrong people (worship of Tingkao Ragwang, the God of the universe). The whole culture, religion and social life are interwoven in the performance of Gaan-Ngai.

The first day of the festival is called Ngai-Gangmei (Starting or coming of the festival). It starts with omen taking (Danjaomei) rite at the abode of the village deity (Shong or Bambu) outside the village gate by an elder through the offering of egg and ginger. He will perform divination by ginger to know the future, the prosperity or otherwise of the new year.

Sacrifice to Tingkao Ragwang:

The whole village elders, men, youth will gather at the respective boys dormitory (Khangchu) or dormitories. The girls will gather at the girls’ dormitory (Luchu). An animal either a pig or a mithun will be sacrificed as offering to the Supreme God, Tingkao Ragwang. This will be preceded by a competitive catching of the pig or the mithun. After the sacrifice of the pig, the spleen will be examined to find out the omen for the future. There will be community feasting at the dormitories. A feast will be preceded by an invocation to God by Ho-Hoing.

Hoigammei (Hoi procession)

In the afternoon, there is the Hoigammei procession. Every male, the elder, married male, youth and even child putting on the best ceremonial dresses, holding spears, participate in the Hoigammei procession. It starts from the boys’ dormitory, proceeds to the village gates shouting Ho, Ho (Ho-Hoing) and then to the village jumping ground (Danshanpung). Competition in stone throwing, long jump and wresting are carried out in the presence of the whole community, the inauguration of the stone throwing and long jump being performed by a village elder.

Mairapmei (making of new fire)

The procession goes to the boys dormitory where the new fire is produced by the wood and bamboos friction and the fire will be distributed to every household or several team of youth visit the individual families to produce the new fire. Every family will perform Napkaomei ceremony (worship to God for plentiful harvest) as a thanksgiving for the good harvest and prayer for good agricultural production in the coming year. The evening will be spent in merry making, drinking and eating and singing in the dormitories.

Ngaidai (The great festival)

The second day is called 'Ngai-dai' (the great festival). It is also popularly known as 'Tamchan Ngai' (The performance - of Tamchan dance)

The senior members of the boys dormitory and family members of both the boys and girls who passed in the previous year will present the Tamcha (gift in the form of food, drinks, meat, vegetables and rice) to their respective dormitories for partaking by the member. The parents of the dead members give the tam-cha in remembrance of their deceased near and dear ones. There will be feasts in the respective dormitories.

Tamchan Dance

In the evening, girls will perform a dance in the selected families. This dance is known as 'Tamchan Laam' (Tam means chutney of vegetables; chan means 'request'; Laam means dance, dance requesting for Tam). Because of the performance of the Tamchan dance; the day is also known as Tamchan Ngai.

If there is no such dance, there is usually a singing competition between the boys and girls dormitories. Merry making continues.

Tuna Gaan-Ngai

The third day is known as the Tuna-Gan-Ngai (Festival of the youth). This day is important for both the death and living and for the strength and prosperity of the village.

i) The dormitories will perform Thei-Kadi-Laam (Dance in honour of the death) will be performed at the selected families where death occured in the previous year. The family will prepare the graves of the death to whom offering in the form of food and drink will be made. The dead will be given a ritual farewell. The performance of the dance in honour of the death is performed if the deceased happens to be a member of the dormitory. But it is not compulsory.

ii) The dormitories perform Khangbon Kadi Lam (a dance in honour of the elder members of the dormitories being promoted to a higher age grade position known as Ganchang).

Rangteng pammei (Ritual of reaffirmation)

On the third day or on the eve of the Long ruimei (Hill trekking) when there is no dancing, a ceremony known as the Rangteng pammei is performed. This is a ceremony to strengthen and confirm the village against the elements and forces inimical to the village. Rangtang pammei literally means 'embracing' the village gates.

Khunnummei (offering at the hole of the village gate)

In the afternoon, the head of the settlers clan of the village as Nampou (owner of the village), the chief funcitonary will go to the village gates and will dig holes in which he offers an egg and iron pieces with the chanting of hymns. It is an affirmation that he is the descendant of the founder of the village and prays for the affirmation of his position and strength of the village. This has social and administrative significance. It is the reassertion of the chiefship of the head of the settler's clans which should be accepted by everybody in the village.

At night, when there is complete silence in the village, the Rangteng Pammei ceremony will be performed. During the day time, a wooden pole will be prepared, the gaa creepers and canes will be collected by the youth and kept in the village gates. In the night, the wooden pole of the village gate is raised by the head or an elder of the settler's clan which is the family of the rangteng Pammei at the right side of the village and with appropriate hymns chanted. (It is not to be audible to the gathering).

Two warriors dressed in ceremonial warrior dress, holding dao and spear cut the village gate pole (Rangteng Khumei). It is followed by the Ho-Hoing of the gathering to scare away the wild beasts and evil elements followed by a complete silence.

The two warriors report to the elder, 'Our village is protected and safe it will be prosperous'. The gathering at the village gate will respond by shouting 'gaiye, gaiye, gaiye (meaning good four times). Then the Ho-hoing and again the response of 'gaiye' four times. From the village gate, the gathering proceeds shouting Hoi to the village jumping ground. Then the refrain of 'gaiye, gaiye, gaiye, gaiye' will be repeated and it is over. They return to the dormitories in a Hoi procession. In the villages which are not established by a founder clan, it is not performed.

On this day of the festivals, the traditional dances of different pattern will be performed by the youths (boys & girls). On this day, the dance, merry making, songs of the Zelian-grong are performed. The essence of the aesthetic sense of the Zeliangrong people and their culture are found expressed in a grand form.

Longkumei: Hill Trekking

The fourth day is called Long Kumei or Long ruimei (Hill Trekking) performed by the boys, girls and members of the dormitories in a nearby mountain range.

They will offer girls, sing songs (Long-Luchenlu) and janting tam (Hetam in Zeme) made of boiled pork. Gakting Tam is an item of boiled pork pounded with garlic, onion, chilli, ginger and salt and made into round balls. They return to the village and perform dance in honour of those boys and girls who have been chosen as the phak gwang or namlengwang. The kings and queens are adorned with phak grass. The families of the chosen boys and girls in whose honour the dance is performed will offer money, wine, drink and other eatables.

Napchanmei

The fifth day is called Nap-chanmei, offering of pig and fowls to God for good harvest and prosperity followed by the feasting at the dormitories. Individual families may perform this ceremony. A pig is sacrificied at the boys' dormitory to the God and a fowl is also offered.

There will be feasting with the invocation of God by Ho-Hoing, after the feast, there will be song competition between the boys and girls and merry making. There will be Kairong Lonmei (Guarding of the village with youth singing village guarding songs). Those who participate are entertained by the individual families.

Rangpatmei

It is the last day. In the early morning, there will be a ponnimmei, exchange of gifts in form of money, and necklace, bangles among the members of the boys and girls dormitories as a mark of farewell, marking the end of the happy Gaan-Ngai.

Rangpatmei is the offering of sacrifice to the deities of the pantheon of Gods worshipped by the village concerned. A sacrifice known as Ralen-loumei will be performed.

The village priest and the elders will perform this sacrifice in which three categories of Gods are worshipped by the Zeliangrong people with offerings of fowls, egg, ginger and water. It is performed at the village deity's abode.

i) The eight brothers of the Ragwang who are the members of the pantheon of Zelian-grong Gods below the Supreme God, Tingkao Ragwang.

ii) The Gods and deities worshipped by the particular village.

iii) The Gods of different aspects of nature like the God of the wind, fire etc.

iv) Propitiation of spirit not to disturb men.

A complete genna or neihmei is observed in the village during the period of the sacrifice. The elder will eat the chicken cooked at the ritual place.

Bukaomei (Calling of the Soul)

The elders will return to the village Pei (office of the village council) and perform another ceremony known as the Bu-kaomei (calling of the souls) to Tingkao Ragwang. A big cock will be sacrificed after chanting the hymns invoking Tingkao Ragwang, the Supreme God to extend protection to the people of the village from death and danger and provide welfare to the village and its people. The cock will be cooked and eaten by the elders and pieces of the meat will be distributed to every household.

Thus the Gaan-Ngai comes to an end. The community prays to Tingkao Ragwang as a Thanks giving and for future prosperity (Good harvest), the soul of the death leaves the households and go to the land of the death (Taroilam), the village reinvigorates its energy by affirmation of strength and unity, rejoices in the performance of dance, music, merry making and festivities.

Gaan-Ngai is a great festival, a unique cultural phenomenon, a form of aesthetic expression of the Zeliangrong religion and philosophy. It is also an institution through which the community sustains their cultural heritage and way of life. Gaan-Ngai is the essence of the Zeliangrong culture.


* Prof Gangmumei Kamei wrote this article for The Sangai Express
This article was first posted in January, 2003 and later re-posted with newer picture on 09th January 2017.


* Comments posted by users in this discussion thread and other parts of this site are opinions of the individuals posting them (whose user ID is displayed alongside) and not the views of e-pao.net. We strongly recommend that users exercise responsibility, sensitivity and caution over language while writing your opinions which will be seen and read by other users. Please read a complete Guideline on using comments on this website.




LATEST IN E-PAO.NET
  • Day 2 : Pung & Dhol Chollom :: Gallery
  • Sangai Day 2 : Maibi Jagoi :: Gallery
  • Sangai Day 2 : MMTA Adventure :: Gallery
  • Hazari/Tombi Polo [7 Nov] :: Gallery
  • Sangai Day 1 : Culturals #3 :: Gallery
  • She left us but who'll forget her ?
  • My New Song :: Poem
  • Indo-Naga Talks 2017 :: News Timeline
  • Thanks Dr. Sinha for highlighting Manipur
  • SN seek clarification from NSCN (I-M)
  • House panel summons Ravi to clarify on FA
  • Sangai Day 1 : Culturals #2 :: Gallery
  • Sangai Day 1 : Culturals #1 :: Gallery
  • Miss Kut #5 :: Gallery
  • Best ever Bond film for children
  • Media Challenge: Glance from hills #2
  • Hard on the hexagon of beehives, Meiteilon..
  • NPF Resolutions of Nov 22, 2017
  • Inaugural Day Sangai Festival :: Gallery
  • Featured Photo for 2017 #5 :: Gallery
  • Kokkhum Festival #2 :: Gallery
  • Seitinmang, Laljangam, Parihal: eMing
  • Khamba Thoibi & Poems on Manipur : Rvw
  • Significance of learning Chinese language
  • JFA condemns Tripura scribe's murder
  • Zeliang calls for NE Tourist Circuit creation
  • Shillong Lajong I-League Squad 2017/18
  • Tourism Potential of Manipur
  • Sangai Run-Marathon @Sendra #1 :: Gallery
  • On Peace Deal & Framework Agreement #1
  • 22nd Winners' Cup (Football) #1 :: Gallery
  • The charge of sisters :: Poem
  • Reorganisation of North Eastern Council #2
  • DAMMS Freshers / Literary Meet 2017
  • (Blank Editorial)
  • Culturals @Mera Houchongba #2 :: Gallery
  • Kang Chingba @ Wangkhei :: Gallery
  • North East Fashion Week #2 :: Gallery
  • Know The Meetei
  • Indo-Naga Peace Process :: Articles
  • Not just the Gateway
  • Use milk for silky smooth skin
  • Mobile Application for Sangai Festival
  • Manipuri Mega Photo Contest Finalist
  • 5 point resolution on Naga Political Issue
  • NE is least favoured tourist destination
  • Final: Hazari/Tombi Polo #1 :: Gallery
  • Sangai Festival 2017- Events Schedule
  • #TB hotspot cannot be on blindspot
  • United Metal 3.0 @Imphal
  • My name is Kom, Mary Kom
  • Swachch Bharath Swasth Bharath
  • Sangai Festival 2017- Online booking site
  • The Killing Fields (2013-17) :: Timeline
  • Mary set on Olympic gold
  • For every causes, there is a reason
  • Moibung Khunou -near khurkhul :: Gallery
  • Miss Kut #4 :: Gallery
  • On the Naga Framework Agreement
  • Media Challenge: Glance from hills #1
  • GIS day at NIT Manipur
  • Pangal Leader Mohammed Hanif Shah
  • NPF questions Speaker convening meet
  • Painting Exhibition by Babli Das (Tripura)
  • Looking out for possible measures
  • Manipur Sangai Festival 2016 #7 : Ooba
  • Cultural Program @ MCA :: Gallery
  • Ningol ChakKouba @MBC #3 :: Gallery
  • Oh dear Daddy, see I a Native Proud: Poem
  • Buddha's metta and karuna #3
  • Narendra Modi will never play Nehru
  • Photo Caption Contest by Whakal.com
  • General Call to All Former NPF Leaders
  • Penguin Readathon & Book Gifting
  • ENNG opposes inclusion of TCL..
  • Report alarm for Arunachal
  • Loktak witness drastic fall in migratory birds
  • Lecture on 'Rohingya Resettlement'
  • 'Weaves of Ching-tam' @London :: Gallery
  • Opening: Jadonang Football #1 :: Gallery
  • Robert's Weaves of valley & hills at London
  • Remembering boy..felled by fake encounter
  • Sangai Photo Awards 2017 : Contest
  • Meeyam meekup nahum singna leibiyu
  • HighWays : Govt. needs seriousness
  • Singcha Wuya Won @Kamjong #4 :: Gallery
  • SDG Consultation: NE :: Gallery
  • North East Fashion Week #1 :: Gallery
  • Distribution Patterns of the Asian Eye
  • Sustainable Development Goal Consultation
  • Wrangle in Mapithel dam: Legal perspective
  • In the Slums of Heaven :: Poem
  • Wreath Laying Ceremony for AR Martyrs
  • Time to take a bow, Robert
  • Create jobs for NE to stop trafficking
  • March: Mera Houchongba #4:: Gallery
  • Sin-Lang Fest @DM College #2 :: Gallery
  • Sangai Festival: Ideas for a change
  • A shadowy dreamer :: Poem
  • Winter - A blessing in disguise for us ...
  • Course in Nanotechnology at NEHU
  • Pamel : Serene Natural Hub, near Lamlai
  • Vacancy at YVU Financial Services, Thoubal
  • System Operators @PR Enterprise, Khurai
  • Just by showing concern will not change..
  • Food Stall @Phayeng #2 :: Gallery
  • The moment :: Poem
  • Board exams decoded
  • 3rd NE Fashion at Itanagar: Day 2
  • Conference : North East in Globalized Era
  • NE-IAS launched to support Startup India
  • Painting Competition on Conservation
  • Ramkung Pamei is new MHJU Chief
  • Priyogopal (Senior Artist)- Photo :: eRang
  • Kabui Dance @Jadonang Football:: Gallery
  • Fashion @NE Festival, Delhi :: Gallery
  • Deviance and Corruption in Kangleipak
  • Applied health research is vital to #endTB
  • 3rd NE Fashion at Itanagar: Day 1
  • Tri-nation Motorcycle Rally reach Imphal
  • Traffic woes continues
  • Kwatha festival #1 :: Gallery
  • Kokkhum Festival #1 :: Gallery
  • Special Rapporteur on Human Rights
  • The threat to balkanize Manipur
  • Cry of a Dying River - 6 :: Poem
  • Biological based integrated Congress grass
  • 3rd Audition of Fagi Unplugged
  • Sadar Hills District Demand: News Timeline
  • Of clean environment
  • Paonam Lily (Archery) Reception :: Gallery
  • North East Fest @ Delhi :: Gallery
  • Girls Football- Nov 4 #2 :: Gallery
  • IBSD, India & VITO, Belgium signed MOU
  • First angioplasty for in-stent restenosis
  • RIST Popular Talk-33: Quantum Hall states
  • Commonwealth alumni event of NE
  • Lecture on The Rohingya Conundrum
  • Tri-National Motorcycle Rally
  • 3rd North East Fashion Week at Itanagar
  • ILP Nov 30 deadline: Why not only for valley
  • Expected changes, do we see ?
  • Festival of Raas Leela #2 :: Gallery
  • Sin-Lang Fest @DM College #1 :: Gallery
  • Hari Uthan- Kang Chingba #2 :: Gallery
  • Code of silence: Concealing gender justice
  • God Rules Over All :: Poem
  • Five day 'Flower Show' at Ukhrul
  • Go birding to honour Bird Man of India
  • Inner Line Permit (ILP) Demand :: Timeline
  • Uphul Waiphul and Leikhom Leinang
  • A reminder to Central Govt.
  • Ningol Chak-Kouba @Pune :: Gallery
  • Miss Kut #2 :: Gallery
  • Meitei Pictographic Writings :: Book Review
  • Careers related to mental health
  • Beauty & Money for a purpose
  • Human rights infractions in Mapithel Dam
  • AMAND Ningol Chakouba at Pune : Report
  • Chef Required at Kakching
  • NHPC Raising day at Loktak Power Station
  • Of ST demand, ILP, peace talk
  • For elderly people
  • Prof. Nongmaithem Tombi Singh : A Profile
  • Hazari/ Tombi Polo Tournament #2:: Gallery
  • U-17 Footballer honored by Guv :: Gallery
  • Just in favour of nocturnal life
  • Dance of Fire Flies at Autumn :: Poem
  • North East Festival bids farewell
  • Agenda of Govt spelt out at DBC, Maram
  • Nurturing the future
  • Ningol Chak-Kouba @Delhi #2:: Gallery
  • NE Fashion Weekend @Delhi #1 :: Gallery
  • History will not forgive us
  • A girl :: Poem
  • Pre-merger political party struggle
  • JRF wanted at NIT Silchar
  • March: Mera Houchongba #3:: Gallery
  • Girls Football- Nov 4 #1:: Gallery
  • Taxi- raising Air Pollution in Ukhrul
  • Skill development training with MUDA
  • Pui Thangamliu -Photos #1 :: eRang
  • NH7 Weekender [28 October] :: Gallery
  • Surjalal: Fellow of American Physical Society
  • Salesian College Grabs UK Project
  • Prime focus
  • Miss Kut #1 :: Gallery
  • Hari Uthan- Kang Chingba #1 :: Gallery
  • Kangujam Chinglensana (Hockey) feted
  • Chavang Kut @Tengnoupal :: Gallery
  • Sub-Junior Girls Football #2:: Gallery
  • Namsai gets Buddha relic from Thailand
  • Ningol Chak-Kouba @Delhi #1:: Gallery
  • 3rd Ningol Chakouba, Delhi : A Report
  • Dr. Rahejuddin Sheikh : Best Director Award
  • Chothe: Shabu Hong Rein :: Gallery
  • Eyek Tamba :: Learn Manipuri script
  • Candle light for Belinda Morse :: Gallery
  • Exhibition of Pottery Crafts #2 :: Gallery
  • Phayeng Cultural programme :: Gallery
  • Khongjom War Memorial #3 :: 360 ° View
  • Ichangi Laidhi #1 :: eRang
  • Ningol Chakkouba by Paomee:: Gallery
  • Ningol Chakkouba @Kolkata :: Gallery
  • Ningol to her mapam lamdam :: Gallery
  • Manipuri Calendar for 2018 : Download it
  • Mera Men Tongba :: Gallery
  • Old Manipuri Movie #1 :: eRang Classic
  • Landscape of Manipur #7: Wallpaper
  • SPONSORED ADS