TODAY -

Lai Khutsangbi, female power and punishment

Rubani Yumkhaibam *

 Artwork on Lai-khutsangbi
Artwork on Lai-khutsangbi by Meisnam Jackson



One persistent ideology of the male-dominated society is the punishment of the female excess. Cinema, literature, everyday idioms, etc., are imbued with cautionary tales of women who have extraordinary hunger for freedom and agency. These women are punished and vanished from the domain of the civilized society, thereby weakening and suppressing their presence.

Very often such tales are imparted to young children for the future maintenance of the societal status quo. The story of Lai Khutsangbi, a bedtime story for children, is the tragic story of one such woman who exercises power and freedom.

In the everyday parlance of the Manipuris, Lai Khutsangbi is used as a metaphor for unpleasant and unacceptable show of female agency, and in a similar manner Lai Khutsangbi is an accursed symbol that negates female modesty and beauty.

The question is – who is the real Lai Khutsangbi? She does not have a name, she is known so because of her unusually long hands, she does not have a lineage, and she lives alone in the forest.

Lai Khutsangbi's story raises multiple questions, none of which is adequately answered in the narratives – Is Lai Khutsangbi a mortal? Is she a demon? Why does she attack mostly children and livestock? What is her power? What is her weakness? It is in these questions and their inadequate answers that we have to retrieve the identity and importance of a powerful and frightening woman in our collective memory.

The analysis of Laikhutshangbi in this brief article is drawn from two recent sources – James Oinam's New Folktales of Manipur (Notion Press, 2016) and Pupu's Folk Tale's short digital film on Lai Khutsangbi (https://pupusfolktale.com/wp/). Although there are other sources of the story, the sources here are chosen for the lucidity of the narratives.

Let us analyse Lai Khutsangbi's character. Lai Khutsangbi is characterised as a demon-like human who does not behave and think like a rational human, and one who feeds her hunger on the raw flesh of humans and animals. Lai Khutsangbi lives in a remote geographical area where the wilderness of the untamed nature meets the human dwelling, a heavily forested, sparsely populated village community.

Although she lives in the geographical proximity of the everyday human beings, she is set aside at a safe distance from the villagers. Being a grotesque flesh eater, she cannot mingle with the people in the story, and so she lives in the shadiest and thickest part of the forest.

The intriguing abode and cannibalism are further linked with her inexplicable and hideous demeanour – tall stature, unusually long hands, unkempt hair and eerie laughter. She kidnaps young children and kills animals, and she has an inordinate appetite for human flesh, from which the village women and children have to be protected.

In James Oinam, she is also portrayed as snatching dead bodies of children from the burial ground (which also shows that the story of Lai Khutsangbi goes back to the time when dead bodies were buried). Her isolation from the harmony of everyday living is evident from the uncooked food she eats and the dreaded dwelling in the thickest part of the forest.

Every child dreads her. Notwithstanding her extraordinary character, she is never portrayed as a magical, immortal soul; she is portrayed as an extra-human, demon-like, evil witch; she is a mortal woman with immense faculty (long hands) and evil prowess.

Lai Khutsangbi is a denizen of the wild nature. One can hear recurring attack on the nearby village from the accessible distance between the village and her dwelling. The village is a natural extension of her forest dwelling.

One wonders if she preys on the wildlife in the forest. And if so why does she attack children and livestock? In a brief yet insightful reading of Lai Khutsangbi, James Oinam opines that Lai Khutsangbi's attack on the village children is "driven by poverty and hunger", which leads her to "survival cannibalism" ("Kabui Keioiba and Lai Khutsangbi: Stories of Hunger?", e-pao.net).

In such a state of material existence, it is only consequential that Lai Khutsangbi attacks the nearest village community, and the caution and repulsion of Lai Khutsangbi among the villagers is also the required precaution.

The story of Lai Khutsangbi is tendered for the young audience as a cautionary tale to stay in the safety of the home. The moral lessons of Lai Khutsangbi teach children to be careful, and to be obedient to the parental advices.

In the olden times when the locales in Manipur were largely rural intertwined with the thick growth of forests and jungles, and also the impending danger from the wild animals lurking in the seamless expanse of villages and the wilderness, such tales must have resounding relevance.

Like a carnivorous tiger, Lai Khutsangbi is a constant danger. Ultimately, Lai Khutsangbi's aggression is projected as pure evil in the process of the real story telling. However for the modern readers, the subterranean implications of power and resistance of the female agency are not far from detection.

That Lai Khutsangbi has an inordinate appetite for human flesh is evidenced from her dissatisfaction with small meals of small animals, and hence she sets out to prey on her victims (young children and livestock in the village).

She uses her long hands as weapons to kill her prey. Her powerful long hands are not the hands that nurture; they are the killing hands of terror and sensual satisfaction (of eating). She wields the power of her long hands in the boundless wilderness of the remote forest.

On the other hands Satchi's (Satchi is the child protagonist in Pupu's Folk Tale) mother feeds Satchi with loving and protecting hands. Her long hands defy the danger of the dark and thick forests. When all the villagers are sleeping, she prowls in the night landscape (in our times, a woman could be raped or molested in absence of a male guardian!).

While being a figure of violence and terror, she is also a figure of self-sufficiency, and in this sense she hunts alone with her bare hands. Such embodiment of horror and agency makes her a transgressive figure, a woman who crosses domestic confinement).

However, our cultural sensibility has to punish such a figure of female transgression. In both James Oinam and Pupu's Folk Tale, Lai Khutsangbi withdraws in the wilderness/burial after her hands have been severed by the fathers of Naocha and Satchi.

Lai Khutsangbi is not inherently weak, but in absence of her hands she is reduced to tears and helplessness. Once her hands are cut off she flees in fear. It should not be considered a con-incidence that her power is destroyed by the male head of the family, husband/father.

Satchi's mother can only withstand Lai Khutsangbi for a while through a witty connivance of misinformation; she waits for her husband to destroy Lai Khutsangbi. We do not find women standing against the evil incursions of another woman in Lai Khutsangbi's narratives.

In the early days, when men were far away from home on military duties, women were responsible for maintaining the household, and this is a cultural marker of the courage of the Meitei women. However, the protection of the village from a female terror is physically invested in the hands of the male members, and this is factored as a masculine responsibility.

Eventually the destruction of the female devilry is symbolic of the repression of female agency and triumph of masculinity. In the end, Lai Khutsangbi is a tragic figure who stands at the crossword of female assertion and the necessary male suppression. She is figure that has to be reclaimed from demonization and cultural erasure of complex female characters.

Acknowledgement

I express my deep gratitude for Santa Khurai, an indigenous nupi maanbi activist, for her encouragement in writing this article.


* Rubani Yumkhaibam wrote this article for Imphal Times
This article was webcasted on September 29, 2019.



* Comments posted by users in this discussion thread and other parts of this site are opinions of the individuals posting them (whose user ID is displayed alongside) and not the views of e-pao.net. We strongly recommend that users exercise responsibility, sensitivity and caution over language while writing your opinions which will be seen and read by other users. Please read a complete Guideline on using comments on this website.




LATEST IN E-PAO.NET
  • 11th Th Kishan Memorial Lecture : Gallery
  • Violence in Manipur 2023-2025 : Timeline
  • Shinthoibi, Jangvei, Tamphaton : eMing
  • Manipur crisis & the Left media's blind spot
  • COVID-19: Update 01 July 2025 : Manipur
  • Bombom RK : Musclemania Universe NYC
  • The Grief :: Poem
  • Music Concert & Quiz (MCQ) 2.0
  • SoO agreement unlikely to be scrapped
  • Regulating use of plastic carry bags
  • Mera Houchongba @Kangla #4 : Gallery
  • International Day of Yoga @JNMDA : Gallery
  • BD Behring: The inimitable Gentleman I knew
  • Violence in the name of patriotism : Misguided
  • Daily oral vs long-acting injectable for HIV
  • COVID-19: Update 30 June 2025 : Manipur
  • Smile :: Poem
  • Why was President's Rule imposed ?
  • BJP under pressure to forge unity
  • Kang @Leikai in Imphal : Gallery
  • July Calendar for Year 2025 : Tools
  • COVID-19 : A recurring crisis in Manipur
  • DC Kaith and Forestry in Manipur : Book
  • COVID-19: Update 29 June 2025 : Manipur
  • Longing for Peace :: Poem
  • Black badge, slogan protest by peeved scribes
  • Present the true picture before Delhi
  • Pung-Cholom @ Polo Tournament : Gallery
  • Life: A Journey Through Thought & Being
  • Khongjai Hills & Kuki claim to indigeneity
  • Master Time by Managing Information
  • COVID-19: Update 28 June 2025 : Manipur
  • Pride & patriotism in CCpur's army families
  • The Power of Poppy - 87 :: Poem
  • World Decarbonisation Day: green environment
  • Welcome Home - Nganthoi #2 : Gallery
  • Loss of two precious lives from Manipur
  • Balancing civil liberties with public safety
  • COVID-19: Update 27 June 2025 : Manipur
  • Gender equality & human rights are indivisible
  • Stay hydrated this summer season
  • Silent Half of the Sun :: Poem
  • Connecting the dots in the wishlist
  • Assembly record tampering claims by ex-CM
  • The immortal legacy of Pukhramba Kajao
  • International Day against Drug Abuse 2025
  • COVID-19: Update 26 June 2025 : Manipur
  • Black pottery from Ukhrul - tribal heritage
  • Program on "Mission-Drug Free Campus"
  • Play makes a better world
  • Urgent Appeal to the Honourable MLAs
  • Tribal Empowerment Campaign at CCpur
  • Talk doing the round: PM to come
  • 'Emergency' relief for under-fire BJP
  • Golden Jubilee Art Fair @Imphal : Gallery
  • Declaration: Meetei People Convention, Delhi
  • A Flower Among the Rocks :: Review
  • Book Donation Campaign
  • Improved road connectivity boosts livelihoods
  • To Have Great Dreams :: Poem
  • COVID-19: Update 25 June 2025 : Manipur
  • Regret vs Sorry: Technical & moral insight
  • Cocktail of inept Govt, selfish people
  • State trailing others in cleanliness
  • Colonial Knowledge in NE India #6
  • UHI effect & rising temperatures in Manipur
  • Frequent road blockades cripple economy
  • COVID-19: Update 24 June 2025 : Manipur
  • Unite Health with Community health services
  • NSU, Imphal, tops IIRF Ranking 2025
  • Endless conflict :: Poem
  • Pak nobel pish prize for Trump
  • May 3, 2023 - June 24, 2025: Failure of Delhi
  • Hotter days, sudden rainfall no more a rarity
  • "The Great June Uprising" #2 : Gallery
  • How to Build a Career, Lead with Purpose
  • 2nd Foundation Day- Karnataka Meitei Assn
  • COVID-19: Update 23 June 2025 : Manipur
  • NSCN-IM Amnesty threatens to isolate it
  • Sunset :: Poem
  • Intl Yoga Day for a healthier environment
  • Of clogged drains and plastics
  • Poor roads testify Govt indifference
  • Welcome Home - Nganthoi #1 : Gallery
  • The Silent Erosion of Manipuri Language
  • Design health services around people
  • Serene Hills Host Inspiring Int'l Yoga Day
  • COVID-19: Update 22 June 2025 : Manipur
  • Chopper services between Senapati & Imphal
  • High Court Judges interacted with convicts
  • Redyeing the Fabric :: Poem
  • Differences yet to be resolved stand
  • Border fencing rage as solution eludes
  • Radio E-pao: 14 new songs updated
  • Climate Adaptive Agroforestry
  • Manipur overlooked demographic shifts
  • Young designers shine on Fashion Stage
  • COVID-19: Update 21 June 2025 : Manipur
  • International Day of Yoga at Lamphelpat
  • International Day of Yoga at JNMDA
  • The Power of Poppy - 86 :: Poem
  • Keishampat Lairembi Haraoba #1 : Gallery
  • Crisis in Manipur's Contemporary Education
  • Best 8 Performances in Manipuri Cinema
  • Identity: Caught between China & India ?
  • COVID-19: Update 20 June 2025 : Manipur
  • To The Father Who Listens :: Poem
  • How does net suspension affect youths ?
  • Targeting farmers to cripple state's economy
  • The virus is back and spreading
  • Who is afraid of Manipur ?
  • A threatened lily growing at Shirui Hills
  • World Environment Day in Manipur : Gallery
  • Ambubachi Mela at Maa Kamakhya
  • COVID-19: Update 19 June 2025 : Manipur
  • Dolls made from repurposed vegetable refuse
  • Condemns Attack on Farmer & Killing
  • Abhorrent politics of SoO
  • Police arrogance on harmless drivers
  • "The Great June Uprising" #1 : Gallery
  • Solution from Buddhist & Jain perspectives
  • AI sparks employment concerns in Manipur
  • Greatest Foe :: Poem
  • Chief Justice at Relief Camp, Kangpokpi
  • Call for Recognition of a 3rd Category of IDPs
  • Jun 18, 2001- May 3, 2023: Seed of violence
  • Contract scam in hill districts
  • Colonial Knowledge in NE India #5
  • Spaced Out - Panthung Di Kadaaida! : Rvw
  • Condemns the Killing of Abdul Qadir
  • COVID-19: Update 17 June 2025 : Manipur
  • Thoubal aspirant makes Manipur proud
  • Tamenglong hospital brings quality healthcare
  • Chief Justice at Relief Camp, Mayang Imphal
  • Kuki CM & Sixth Schedule
  • Selective protests, selective silence
  • Nailing the culprits need of the hour
  • UK Meetei diaspora run for Myanmar : Gallery
  • Erwin Khundrakpam : NEET-UG 2025 topper
  • Will we rise to #endAIDS challenge or stumble
  • COVID-19: Update 16 June 2025 : Manipur
  • Appeal to Prime Minister: Manipur Crisis
  • Urges Action on Misinformation
  • Condolences : 2 young cabin crew
  • Grateful To Be Alive :: Poem
  • Making bonfire on the roads
  • Aggression yet again, inspite of playing victim
  • Aftermath of flooding @ Khurai #2 : Gallery
  • Zomia, geopolitics, & the struggle for unity
  • COVID-19: Update 15 June 2025 : Manipur
  • Condolences : Demise of 2 Manipuri Girls
  • Manipur unites in grief after Air India tragedy
  • Hail arms recovery as step toward peace
  • Cleanliness Drive at JNIMS Campus
  • Global Wind Day for a clean environment
  • First came the rain, then the heat
  • Rise in Covid-19 cases
  • Thang-Ta Day @Khuman Lampak #3 : Gallery
  • Meetei diaspora in UK runs for Myanmar victim
  • Manipur empower children with disabilities
  • COVID-19: Update 14 June 2025 : Manipur
  • World Blood Donor Day 2025
  • The Power of Poppy - 85 :: Poem
  • A Northeast Gin Makes Its Mark
  • Mera Houchongba @Kangla #3 : Gallery
  • Saluting Nganthoi, Lamnunthem : Joining hand
  • Condolence : Nganthoi & Lamnunthem
  • From Earth Day to World Environment Day
  • COVID-19: Update 13 June 2025 : Manipur
  • JJM brings clean drinking water to CCpur
  • M.Tech CSE Admission at Assam University
  • Save your nails from damage this summer
  • No takers for Moreh cops' distress call
  • 50 years of Pebet #2 : Gallery
  • Implement Hill Areas (Chief Rights) Act 1967
  • Manipur fields shape India sport future
  • How to Speak Soft and Still Win
  • Thokchom Khoiba : mosquito killer machine
  • Looking for wealthy groom, question you too
  • When is the net ban going to be lifted
  • Stir speculations nix school reopening plan
  • Indo-Naga Talks (From 2012) :: Timeline
  • Colonial Knowledge in NE India #4
  • Namphake Monastery @ Dibrugarh : Gallery
  • Fire safety: preventive measures
  • Peculiar plants & incidents unique to Manipur
  • Artificial Intelligence & environment
  • Cutting off the nose to spite the face
  • Relief for daily wagers as shutdown called off
  • Protest @Checkon -AT arrest [Jun 9] : Gallery
  • The question of territorial integrity of Manipur
  • Animal Farm's allegory in dynamics of Manipur
  • Their hands deserve books, not burdens
  • JNV empowers Tamenglong students
  • We can do better- people with HIV live healthy
  • Bandh: The Cry Beneath the Silence :: Poem
  • Cutting short 240 hours general strike
  • Shutdown lifted, curfew eased, mobile ban
  • Protests - AT arrest [Jun 8 night] : Gallery
  • Review of 'Rain Stopping in Manipur'
  • Highway blockades trigger soaring prices
  • Voice of the Masses :: Poem
  • Congress may claim if none
  • Learning new skills related to AI
  • Delhi, Raj Bhavan: Losing the plot ?
  • CBI arrest after Governor clemency assurance
  • Aftermath of flooding @ Khurai #1 : Gallery
  • Appeals Home Minister not to renew SoO
  • Self-defence :: Poem
  • When will humans learn nature's lessons ?
  • Forgotten voices of drug users in Manipur
  • High-yielding RC Manichakhao-1
  • PC Editorial Blank Space : June 09 2025
  • TSE Editorial Blank Space : June 09 2025
  • Flooding at JNIMS Hospital #2 : Gallery
  • North East NSS Festival @ MU : Gallery
  • 27th Meira Paibi Numit : Gallery
  • Micromanager vs Leader
  • Valedictory Function of NE NSS Festival
  • WED at various campuses in Manipur
  • World Environment Day 2025
  • Trump's tariff legacy & its global echo
  • Flooding at JNIMS Hospital #1 : Gallery
  • Flooding Imphal East [31 May] #3 : Gallery
  • Flooding Imphal East [31 May] #2 : Gallery
  • Flooding Imphal East [31 May] #1 : Gallery
  • Sarangthem Nirupama at Miss Universe India
  • S Nirupama @Miss Universe : Gallery
  • Protesters to Raj Bhavan [May 25]: Gallery
  • Human Chain @Airport road [May 26]: Gallery
  • Miss Shirui Pageant Contestant: Gallery
  • 48 hrs Bandh: protest security forces: Gallery
  • Protest Rally: Journalist harassment: Gallery
  • HSLC 2025: Full Result (Check Roll No)
  • HSLC 2025: Important Info & Grading System
  • HSLC 2025 : Compartmental candidates
  • HSLC 2025 : Comparative Statement
  • HSLC 2025 : Statistical Abstract
  • HSLC 2025 : District Pass Percentage
  • HSLC 2025 : Govt School Pass %
  • HSLC 2025 : Aided School Pass %
  • HSLC 2025 : Private School Pass %
  • People's Convention on 3rd May #2 : Gallery
  • Featured Front Page Photo 2025 #2: Gallery
  • Riya Khwairakpam : HSE Science Topper
  • Keisham Hannah : HSE Arts Topper
  • Warepam Lidia : HSE Commerce Topper
  • HSE 2025 Result : Science Full Result
  • HSE 2025 Result : Arts Full Result
  • HSE 2025 Result : Commerce Full Result
  • HSE 2025 Information / Abbreviation
  • HSE 2025 Topper : Science
  • HSE 2025 Topper : Arts
  • HSE 2025 Topper : Commerce
  • HSE 2025 : Pass Percentage
  • HSE 2025 : Result Abstract
  • HSE 2025 : Candidates with Highest Marks
  • Ougri Lirol :: Part 1 : Ooba Video
  • President's Rule in Manipur : 1967 - 2025
  • Downloadable Manipuri Calendar :: 2025